Tuesday, August 26, 2008
Friday, August 22, 2008
With that being said, I would also like any readers out there to know that starting this year I am thinking about doing some more "meaty" projects on this blog that will entail more than brief plot summaries and what I think of the overall affect of said film. I plan on doing a couple (between two and who knows how many) pieces on a subject that is very near and dear to my heart as a movie fan.
I do not wish to divulge all of what I am planning on doing, but I can tell you that the photographs in this blog will have a lot to do with some of these articles that I would like to write.
With that being said, I will leave you to enjoy the pictures and ask for any suggestions for ideas that I might write about, or movies that I should watch and write about in here. If there is any input at all, it will be greatly appreciated. I hope that this upcoming year will be a time of great films and great insights into them.
Friday, August 8, 2008
Was there any question? If you've not seen it, do. Sure there's a hick-up in the third installment named Sofia Coppola (an astounding director in her own right). The first two pictures, however, are perfect...perfect, and that leaves little room for any other saga to come into focus.
Thursday, August 7, 2008
In 1993 the Polish master, Krysztof Kieslowski, unleashed Trois Couleurs: Bleu on the world of cinema. With its unpeccable use of color and a moving performance by French beauty, Juliette Binoche, he told a story that was at once heart wrenching and heart warming. at the center of the film was the theme of liberty (represented by the color blue in the French tricolor) through loss.
A Year later he would release Blanc and Rouge both of which used the colors of the French tricolor to explore the themes of Equality and Franternity, respectfully. Both films, but especially Rouge staring Irene Jacob, uses lush cinematography rich in the color of the title to help set the emotional and visceral map for the trilogy.
These films are devestating, funny, maddening, and soothing simaltaniously, but more than anything these three films by Kieslowski are, in their very essence, beautiful. No more, no less. In saying that, however, I do not believe we have the right to ask for anything more.